Home TECHNOLOGY How I Podcast: Election Revenue Makers’ David Rees

How I Podcast: Election Revenue Makers’ David Rees

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The great thing about podcasting is that anybody can do it. It’s a uncommon medium that’s practically as simple to make as it’s to devour. And as such, no two folks do it precisely the identical means. There are a wealth of {hardware} and software program options open to potential podcasters, so setups run the gamut from NPR studios to USB Skype rigs (the latter of which has turn out to be a form of default through the present pandemic).

We’ve requested a few of our favourite podcast hosts and producers to spotlight their workflows — the tools and software program they use to get the job achieved. The record thus far contains:

Welcome to Your Fantasy’s Eleanor Kagan
Articles of Interest’s Avery Trufelman

First Draft and Track Changes’ Sarah Enni
RiYL remote podcasting edition
Family Ghosts’ Sam Dingman
I’m Listening’s Anita Flores
Broken Record’s Justin Richmond
Criminal/This Is Love’s Lauren Spohrer
Jeffrey Cranor of Welcome to Night Vale
Jesse Thorn of Bullseye
Ben Lindbergh of Effectively Wild
My own podcast, RiYL

Everybody is aware of that politics are like sports activities, solely with, , real-world penalties that may immediately impression the lives of hundreds of thousands. However why deal in abstractions when you’ll be able to guess precise cash? With Election Profit Makers, co-hosts David Rees, Starlee Kine and Jon Kimball put their cash the place their mouth is, betting on political outcomes with their hard-earned {dollars}.

Picture Credit: David Rees

As a collector of audio gear (principally results pedals, previous rim-drive tape machines and Nineteen Eighties keyboards I’ve modified), I want I might say my podcasting setup featured tools that’s extraordinarily costly and exhausting to return by. I’d like to brag about utilizing, say, hand-wired boutique preamps and a uncommon Soviet condenser microphone I purchased at a army public sale in Kazakhstan. Nothing would please me greater than to share images of an enormous reel-to-reel tape machine on which I file my advert reads (for “heat”) earlier than mixing them down on my laptop computer.

Alas, my podcasting setup is extraordinarily regular. I’ve a Scarlett two-channel interface I purchased at a series retailer. I’ve a Rode microphone as a result of I couldn’t afford a Shure SM7B. I file into GarageBand, which is the spiral-bound pocket book of audio interfaces. The one barely uncommon factor about my podcasting setup is that on the uncommon event once I edit an episode I accomplish that in Ableton Stay, which I initially purchased years in the past once I was obsessive about making mashups.

Picture Credit: David Rees

The one analog affectation I can declare is a shameful one: My laptop computer is so previous the USB ports appear to be going slack — I’m shocked they don’t have hair rising out of them like previous males’s ears — so I’ve to repair the road from my Scarlett into place utilizing electrical tape.

Election Profit Makers is a podcast about betting on political occasions utilizing the website PredictIt.org. (My co-host Jon Kimball made sufficient cash on the 2020 election to purchase a brand new automotive; I made sufficient to purchase a brand new tremolo pedal.) The one time we’ve achieved subject recordings was final spring, when Jon and I went on a nerd / comedy cruise within the Caribbean the week COVID hit. We recorded each day dispatches at sea utilizing a Zoom H4N, then wandered round Santo Domingo till we discovered a college library whose Wi-Fi we might use to add the information to our co-host and editor Starlee. My telephone tells me I walked 24,000 steps that day.

Picture Credit: David Rees

As a result of my podcasting setup is so boring, I’ve spiced up the images by together with a few of my different audio gear within the pictures! When the world is prepared for cassette-based podcasts saturated in analog delay, I can be very happy to oblige!

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